When I first speak to filmmaker Maris Curran on the phone, I’m sitting in the driver’s seat of my parked car about two months after breaking both my arms in a bicycle accident. The accident occurred as I was pulling my bike over to the side of the road in order to phone the editor of this publication to discuss some column ideas I had about the business of filmmaking. I missed that meeting, of course, and since the accident, my mind has been almost singularly focused on the psychological impact of tragic accidents. Since that can get a bit […]

from Filmmaker Magazine http://ift.tt/1Ki1TPF
from Filmmaker Magazine http://ift.tt/1Ki1TPF
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