As a conceptual artist Michael Madsen doesn’t so much create nonfiction films as craft mind-blowing experiences, introducing even the most jaded of us docu-philes to people and places we’d no idea even existed. (Prior to IDFA 2010 I, for one, never knew about Finland’s nuclear waste storage facility Onkalo, the subject of Madsen’s Into Eternity and an underground cavern the size of a large city set for completion in the 22nd century.) In his latest The Visit the Danish director turns his attention and limitless imagination towards mankind’s first encounter with alien intelligent life. With the help of expert guides […]

from Filmmaker Magazine http://ift.tt/1C1zATh
from Filmmaker Magazine http://ift.tt/1C1zATh
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