Queer Film Pioneer Monika Treut on Of Girls and Horses

A legend in lesbian cinema, Monika Treut has been making films for 30 years, starting with her 1985 narrative feature Seduction: The Cruel Woman (featuring Udo Kier – not bad for a debut film), and right through to this year’s Of Girls and Horses, a poetic coming-of-age tale that also serves as a celebration of nature’s transformational power. Along the way Treut has also explored the nonfiction realm, turning her lens on everything from gender identity (1999’s Gendernauts) to Taiwanese food (2012’s The Raw and the Cooked). Filmmaker was fortunate enough to catch up with the Hyena Films co-founder (along […]

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“Nikki Sixx Told Me He Didn’t Like It When I Called Him a 40-Year Old Heroin Addict”: Penelope Spheeris and Anna Fox on The Decline of Western Civilization

A holy grail for both cinephiles and rock and roll enthusiasts finally arrives on DVD this week in the form of Shout Factory’s superbly assembled The Decline of Western Civilization boxed set. The first two Decline films are essential artifacts of the late ’70s punk rock movement and the ’80s metal scene in Los Angeles; the third, made in the ’90s, is a sober chronicle of Hollywood’s gutter punks, homeless kids tossed aside by “polite” society. All three movies contain terrific concert footage of seminal punk and metal bands (including Fear, the Circle Jerks, and Faster Pussycat, among many others) […]

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Short Film: Michael Tyburski’s Actor Seeks Role

25 New Faces Michael Tyburski and Ben Nabors have teamed up yet again on their latest short film, Actor Seeks Role. Starring Alex Karpovsky as an aspiring method actor who resorts to medical acting in lieu of a silver screen gig, Actor Seeks Role is a witty, efficient rumination on the downsides of a theatrical affliction. Watch above.

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Mining for Gold: Discovering the Lost Jules Feiffer Script Bernard and Huey

As one of the pillars of the Golden Age of the ’70s, Mike Nichols’ film Carnal Knowledge was a big influence on my own last movie, Between Us. So during post-production on Between Us, I happened upon a biography of Carnal Knowledge screenwriter Jules Feiffer that mentioned that he had several unproduced screenplays. Hmm, I thought: Feiffer had won a Pulitzer Prize for his cartoon strip in the Village Voice, he’d won a couple of Obies for his plays, and as a screenwriter, he’d written Popeye for Robert Altman, Little Murders, that Alan Arkin had directed, and won a Best […]

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Nasty Baby Editor Sofia Subercaseaux at The Champs-Élysées Film Festival

Filmmaker‘s Taylor Hess recently attended and reported on the U.S. in Progress series at the Champs-Élysées Film Festival. While there, she spoke to a number of female directors, producers, actresses and, below, an editor. Here is her conversation with Sofia Subercaseaux, who edited Sebastian Silva’s Nasty Baby. Filmmaker: How did you start working in film? Subercaseaux: I went to film school in Chile. It was a random decision because I had no idea what I wanted to do, but the course description just seemed right. Afterwards, I worked in production. It was really fun and I learned a lot, but […]

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Stinking Heaven Actors Hannah Gross and Deragh Campbell

Filmmaker‘s Taylor Hess recently attended and reported on the U.S. in Progress series at the Champs-Élysées Film Festival. While there, she spoke to a number of female directors, producers and actresses. Below, her conversation with Hannah Gross and Deragh Campbell, who both appear in Nathan Silver’s Stinking Heaven. Filmmaker: I Used To be Darker was your first film together, and Deragh, your first time acting? Campbell: Right, I’m not trained. My college degree is in writing and my background is publishing and writing. In a lot of ways I look at acting as another way of interacting with material and […]

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Applesauce Producer Melodie Sisk

Filmmaker‘s Taylor Hess recently attended and reported on the U.S. in Progress series at the Champs-Élysées Film Festival. While there, she spoke to a number of female directors and producers. Below, her conversation with Applesauce producer Melodie Sisk. Filmmaker: What was your timeline on Applesauce? Sisk: Applesauce moved so fast! We essentially had no real pre-production and had to jump right in. This made our schedule erratic, we’d shoot a few days at a time, jumping around between holidays, and then, just like that, we premiered at Tribeca exactly five months to the date of our first day of shooting. It […]

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A Matter of Semitics: A Borrowed Identity

What’s in a name? Labeling is a risky proposition. Meant to attract, summarize, or simplify, sometimes all three, a tag’s position front-and-center makes it bait for bashing. Pigeonholing can repel as easily as it entices, or just may harmlessly connote something other than what was intended. In the cultural arena, a title can be artwork-specific and subject-appropriate, only to be slammed, censored, and overruled by the poison of protocol or more overt political and commercial censorship. In theory merely a signifier, it frequently serves as a convenient synecdoche for larger issues under hypocritical attack. Which brings us to Dancing Arabs, […]

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Short Film: Mukunda Angulo’s Mirror Heart

Anyone who’s seen Crystal Moselle’s The Wolfpack knows that the Angulo brothers have a flair for costuming, and those talents are on full display in Mukunda Angulo’s Mirror Heart, a rather abstract short film made for Vice. Billed as “an imaginative tale about a cast of dreamlike characters who unify around the necessity to create,” Mirror Heart also employs the voice acting of a handful of the brothers as that nagging, negative portion of one’s creative conscience. Check out the short above and a making of video at the link.

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“Maybe The Mechanic Would Be Good for This”: DP Tim Orr on Manglehorn

When I ask cinematographer Tim Orr if – after ten feature films together with director David Gordon Green – their references are most frequently their own movies, Orr replies, “Well, you don’t want to make the same movie over and over again.” No one is going to accuse the duo of that. In a collaboration that dates back to their days at the University of North Carolina School of the Arts, Orr and Green have made everything from lyrical Malick-esque meditations and medieval stoner comedies to surreal odes to lovelorn locksmiths. The latter describes Manglehorn, an odd mixture of magical […]

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