Cult, Underground and Independent in Flux: The Oak Cliff Film Festival

I arrived in Dallas for the Oak Cliff Film Festival and got picked up in a car along with Nick Zedd, the storied New York underground filmmaker who relocated to Mexico several years back. The first thing Zedd, whose own work is marked by a tongue-in-cheek fetish for violence, asked our driver about was the Kennedy assassination. Over the next few days, it became clear that Dallas, with its own mythology of Oswald conspiracy theories and Bonnie and Clyde’s, grave sites was the perfect city for a festival that had a thread of cult films and figures running through its […]

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