With Charles Poekel’s charmingly melancholy debut, Christmas, Again, the independent film maxim “write what you know” gains a corollary: “write what you can learn.” For his tale of a withdrawn Christmas tree salesmen just trying to get through the season, again, Poekel gained knowledge of his protagonist’s trade by opening and operating his own stand in Greenpoint — a job he’s still doing five years later. Defiantly non-melodramatic and with the well-worn feel of a ’70s New York character study, Christmas, Again has both poetry and an unprepossessing air. In other words, it’s a perfect holiday visitor. Christmas, Again premiered […]

from Filmmaker Magazine http://ift.tt/1E9ODv3
from Filmmaker Magazine http://ift.tt/1E9ODv3
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