Matthew Scott goes for a scene by scene breakdown of Robert Richardson’s cinematography for “Inglorious Basterds” Showing the general colours of a scene is great, but it’s also interesting to see that a “true” or 100% black point doesn’t exist in many of these shots, and the same goes for a white point. In fact, Read MoreRead More
from FilmmakerIQ.com http://ift.tt/1Ck6XgT
from FilmmakerIQ.com http://ift.tt/1Ck6XgT
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