Ben Kasulke has literally dozens of credits on his iMDb page, but running throughout his career are collaborations with two directors: Lynn Shelton and, more recently, Guy Maddin. And what’s remarkable is how different those collaborations are. With Shelton, Kasulke affects a seemingly casual, on-the-fly naturalism, never allowing his cinematography to deflect from the actors’ moments. With Maddin, however, Kasulke is working in service to an entirely different aesthetic, one in which a film’s look is part and parcel of its meanings. In Maddin’s work, Kasulke’s lensing takes us far away from the present, back to times when film both […]

from Filmmaker Magazine http://ift.tt/1uv38AT
from Filmmaker Magazine http://ift.tt/1uv38AT
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