Do you have to miserable to be funny? That’s the question asked by Kevin Pollak’s, Misery Loves Company, screening at Sundance as a Special Event. And, appropriately for a film containing 50 interviews of funny people ranging from Jimmy Fallon and Judd Apatow to Penn Jillette and Lewis Black, cinematographer Adam McDaid’s job was to work quickly, make the people look good and allow their stories to come through transparently. Below, he talks about all of that as well as what to do when faced with a wall of sun-lit windows. Filmmaker: How and why did you wind up being […]
from Filmmaker Magazine http://ift.tt/1E9ODLF
from Filmmaker Magazine http://ift.tt/1E9ODLF
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