In an interview elsewhere on this site, director Charles Poekel said he wanted his feature Christmas, Again to look like a “Christmas tree ornament from your attic.” With that directive, what better D.P. to hire than Sean Price Williams? His love of and delicate touch with celluloid — its textures, its organic feel — shine through in such films as Listen Up, Philip and The Black Balloon. And his mobile camerawork and ability to shapeshift to whatever the production environment dictates made him an ideal collaborator for Poekel, who was shooting his first feature in his own Christmas tree stand […]
from Filmmaker Magazine http://ift.tt/1Jhe267
from Filmmaker Magazine http://ift.tt/1Jhe267
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