Two New Apichatpong Weerasethakul Gallery Shows, Plus a New Journal About His Work

Though it’s no secret that Uncle Boonmee Who Can Recall His Past Lives director Apichatpong Weerasethakul is probably even more prolific as a gallery artist than as a director, coverage of his non-film work often gets short shrift. Reviews of two recent exhibitions shed light on the latest developments in this arena of his work. From London, Marco Bohr reports on “Double Visions,” a recently closed exhibit held at the Anthony Reynolds Gallery. Bohr is skeptical of the success of this exhibition, which includes Dilbar, a ten-minute video of a Bangladeshi migrant worker in the UAE, and Teem, three mobile […]

from Filmmaker Magazine http://ift.tt/1nPqAdV