Filmmakers, how much attention do you pay to a single body part, to a gesture? This elegantly beautiful supercut on “the tactile world of Robert Bresson” by Kogonada for Criterion shows the great French director’s notoriously precise skill is applied even at the slightest hand gesture. There are no faces in this video yet the drama of these scenes is palpable.

from Filmmaker Magazine http://ift.tt/UhLUeX
from Filmmaker Magazine http://ift.tt/UhLUeX
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