For even casual observers of the Nigerian film industry, it’s not surprising news that the nation’s second largest-employer (behind agriculture) has already churned out two films about the April kidnapping of 276 girls by Boko Haram: at an average of 50 movies a week, the industry makes a routine point of speedily incorporating topical concerns. Last year’s Boko Haram: The Movie (understandably retitled Nation Under Siege at home) is far from unique, with a particularly high-profile example in 2012′s Last Flight to Abuja, a plane crash drama inspired by the nation’s spate of air disasters that coincidentally premiered just after […]

from Filmmaker Magazine http://ift.tt/1odWPDV
from Filmmaker Magazine http://ift.tt/1odWPDV
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