Cinematographers are the best whores in the world. Christopher Doyle, the award-winning Australian cinematographer behind In the Mood for Love and Hero, sincerely believed this. He echoed this thought to Michael Ballhaus, the German cinematographer who shot Goodfellas and Gangs of New York, when the two met at a panel in Berlin. (Ballhaus agreed.) Several such anecdotes and beliefs on the art of photography were revealed when Turkish cinematographer Emre Erkmen hosted Wojciech Staroń, his Polish counterpart, for a conversation at the 33rd Istanbul Film Festival earlier this year. Staroń recently worked on Papusza, a black-and-white Polish biopic about the […]

from Filmmaker Magazine http://ift.tt/1icHsJg
from Filmmaker Magazine http://ift.tt/1icHsJg
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