How precisely does one go about building an entire beach on a soundstage? That’s one of the many challenges posed by master Swedish director Roy Andersson’s regular working method, which involves constructing meticulous sets on which to stage his mordant tableaux and droll takes on despair and death. This brief video shows his crew building a beach from the ground up — not a photo-realistic set, but pretty close, complete with meticulous arrangement of sand and one friendly dog roaming around. A Pigeon Sat on a Branch Reflecting on Existence will be released here next year by Magnolia Pictures.

from Filmmaker Magazine http://ift.tt/1x317O1
from Filmmaker Magazine http://ift.tt/1x317O1
Nessun commento:
Posta un commento