On November 9, 1984, Wes Craven’s A Nightmare on Elm Street opened in American theaters and changed the movie industry forever. Serving as a bridge between the primal ferocity of Craven’s earlier work (Last House on the Left, The Hills Have Eyes) and the visually expressive professionalism of his later films (The Serpent and the Rainbow, The People Under the Stairs, Red Eye), Elm Street also introduced one of the most iconic horror movie villains of all time and put New Line Cinema on the map. A make-or-break production for New Line and its founder, Bob Shaye, A Nightmare on […]

from Filmmaker Magazine http://ift.tt/1rX3NcI
from Filmmaker Magazine http://ift.tt/1rX3NcI
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