Mike D’Angelo examines David Lynch’s pre-Eraserhead work for clues on how the auteur’s mind works. No masterpiece arrives completely out of nowhere. People like to point to Orson Welles as an example of someone who set the world on fire with his first film, but Welles had made his reputation as a creative genius, both Read MoreRead More
from FilmmakerIQ.com http://ift.tt/1DBKqxt
from FilmmakerIQ.com http://ift.tt/1DBKqxt
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