According to the Institutional Theory of Art, a work becomes Art only after it has been validated by institutions and other taste maintainers (festivals, exhibitions, etc.). Given that Turkish director Nuri Bilge Ceylan’s latest film, Winter Sleep, earned him the Palme d’Or at Cannes in May, you could build a case that, officially anyway, his was the best of the 2014 harvest. Now MoMA is hosting a complete retrospective October 29-November 5 of his relatively small body of work (seven features, one short). Nuri Bilge Ceylan (pronounced “noo-ree beel-gyeh jay-lan”) will be present to introduce Winter Sleep and Once Upon […]

from Filmmaker Magazine http://ift.tt/132jFVO
from Filmmaker Magazine http://ift.tt/132jFVO
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