How does one measure a film festival’s success? Through the number of world premieres, red-carpet events, and sold-out screenings? Or possibly it’s something that occurs beyond the screen, in terms of how a festival supports its community and helps nurture its local film culture. Turning a respectable 35 this past November, the Hawaii International Film Festival attempted to do both. It kept its usual youthful swagger with a strong lineup of world and international premieres and some glamorous events featuring the likes of Japanese star Tadanobu Asano and Hong Kong director Mabel Cheung, yet made sure to spotlight key new […]
from Filmmaker Magazine (depreciated) http://ift.tt/1SH7HqD
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