Earlier this week we posted this video with Joe Dunton discussing the lenses used by Stanley Kubrick in his films. Here’s the next in a Kubrick cinematography playlist: various cinematographers on his use of the BNC camera and Zeiss f/0.7 lenses to shoot Barry Lyndon in natural light. Previously at Filmmaker, Jim Hemphill sat down with three of the film’s actors for a discussion of the making of that modern classic. An excerpt: Yet Kubrick’s obsessive control over the final product wasn’t the whole story, according to both Vitali and Savage. “He’s got this huge reputation for being a control […]

from Filmmaker Magazine http://ift.tt/1G9Rfdz
from Filmmaker Magazine http://ift.tt/1G9Rfdz
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