Within two minutes of talking to Eugene Kotlyarenko, separated in physical distance by about a mile, yet connected by phone via his marketing company’s office thousands of miles away in New York, we are discussing near-fatal car crashes and how a life-threatening experience can make a few seconds can feel like an eternity. Kotlyarenko was shooting an Interpol music video recently (he starred as the “sleazy guy” in a behind-the-scenes of a porn shoot). On the way home, his car spun out on a cloverleaf freeway entrance. “I literally felt like I was stuck in a time vortex,” he says. […]
from Filmmaker Magazine http://ift.tt/1x1vslk
from Filmmaker Magazine http://ift.tt/1x1vslk
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