Say it Again: How to Do No-Budget ADR for Independent Films

My first feature, Veer!, was shot primarily on Super 16mm, on an old Eclair ACL I got off eBay. While it shot beautiful images, the camera sounded like a helicopter taking off when rolling. Interior dialog scenes were especially nightmarish for sound, and one scene in particular retains no original production audio because of this. We had to re-create the scene’s audio — dialogue, background ambience and foley — completely from scratch. But when I point out which scene it is, people don’t always believe me. Indeed, good ADR goes unnoticed, and as much as I’d like to pat myself […]

from Filmmaker Magazine http://ift.tt/1E09bDZ