Perhaps the most salient feature of the Fantasia International Film Festival’s three-week schedule is its total aversion to mornings. In the interest of efficiency, most festivals promptly begin screenings, panels or press conferences at 9 or 10am each day; at Fantasia things get started around quarter past three. Official and unofficial festival after-parties, meanwhile — premiere celebrations, industry events, cocktail breaks, impromptu gatherings for drinks — customarily extend until dawn (or later), with many attendees migrating after last call from pubs to after-hours bars and diners willing to serve up flights of “special tea” (after-hours booze). Everything about Fantasia — […]
from Filmmaker Magazine http://ift.tt/1sgUnNS
from Filmmaker Magazine http://ift.tt/1sgUnNS
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