Platform Monopolies: Good or Bad for Independent Filmmakers?

Dubbed “a novelist from the day after tomorrow” in Sunday’s New York Times, Vincent Zandri profits, quite well, by living in the Amazon universe. His mystery novels are edited, published, marketed and sold by Amazon. Perhaps most importantly, the mechanism through which new readers will discover his work, the latticework of likes, referrals and recommendations, are increasingly controlled by Amazon and its related properties, like Goodreads. For Zandri, who achieved modest success through traditional publishers before signing with Amazon’s Thomas & Mercer imprint, the internet giant’s model is the new way. Reduced to “returning bottles and cans for grocery money,” […]

from Filmmaker Magazine http://ift.tt/1nDnGqO