Most festivals mixing movies and music include the former as an afterthought, even if they’re lovingly programmed. That’s certainly the case at SXSW, the granddaddy of them all, and attendance at the film programs of nascent music festivals across the country bears this out. Indie film audiences skew older if not whiter than indie music audiences, so a conundrum is born: how does one get indie films out in front of the same eyes that stare at Pitchfork every morning? It doesn’t seem that Pitchfork offshoot The Dissolve, as good a site as it is, will necessarily provide a solution; […]
from Filmmaker Magazine http://ift.tt/STG2br
from Filmmaker Magazine http://ift.tt/STG2br
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