Kubrick Sees Red: A Supercut On the Director’s Love of the Color

Blood can’t be any other color, but there are plenty of things — like spacesuits and bathroom walls — that can. In this punchy, to-the-point supercut, Rishi Kaneria draws from 2001, Full Metal Jacket, The Shining, Barry Lyndon and other Kubrick films to make a case for the director’s love of the crimson.

from Filmmaker Magazine http://ift.tt/1qYQPeA