Inside out … Upside down … And round and round “Upside Down” (1980), Nile Rodgers and Bernard Edwards The wildly suggestive lyrics are sexy all right, but they also suit the vertiginous push and pull (sorry) of Mercedes Moncada Rodríguez’s intense cinematic duel between a) the history and legacy of the Sandinista movement in her native Nicaragua b) her recollection of the heavy emotional baggage she has carried since its inception. The description of a political event or a collective mood may trigger remembrance; inversely, affective recall might precipitate concrete reconstruction. The logic of memory rules, so that the order […]
from Filmmaker Magazine http://ift.tt/R0NqjW
from Filmmaker Magazine http://ift.tt/R0NqjW
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